Monthly Archives: May 2008

The Lost St. Paul Conspiracy Jams

Apologies to those that this may have affected. After transferring files from my old computer to my new computer, I noticed these PDFs lying around, which I forgot to post after their creation. Therefore, I present to you, the lost St. Paul Conspiracy Jams!

February 2008

March 2008

April 2008

Special thanks to the St. Paul Conspiracy members for working so diligently on these jams, Kevin McCarthy for getting on my @$$ to get these posted, and to David Steinlicht for showing me up last week by posting within days of receiving the jam pages.

Comic Jam in San Francisco May 29,2008

The next Comic Jam is this Thursday May 29, 2008. So grab your favorite drawing tools and head on down to the Church St. Café at 6:30 pm this Thursday and draw with us. We have had a great surge of new artist in the last couple of months and we want to keep to flow of talent flowing.

NEW: you can also find a full schedule of the upcoming jams at our YAHOO Upcoming Group set up by the amazing Doctor Pop. You can sign up to get reminders as well as set your RSS news reader to get updates when they are added

The San Francisco jam meets on the second and last Thursday of each month at the Church St. Café from 6:30 pm to sometimes between 9 and 10 pm.

WHEN: Thursday May 29th, 2008

Where: Church St. Cafe

Description: The San Francisco cell of the International Cartoonist Conspiracy meets twice a month from on the second and last Thursday of the month from 6-10PM at Church St. Cafe. Church St. Cafe 260 Church Street San Francisco, CA 94114 Transit info for San Francisco can be found here:
View Larger Map note: (the green cabin is the café and the blue markers are MUNI bus stations)

Craig Thompson’s Chicken

Craig Thompson has posted samples of a pre-Chunky Rice artwork and talks about his projects that never made it. It’s a story about Elliot Chicken.

Craig writes:

My advice to young cartoonists is that the biggest and most important challenge is simply seeing a project to completion. I’d draw ten pages of a story, get bored or distracted, then dump ‘em in the drainage ditch, leaving a wake of unfinished books — until finally sticking with CHUNKY RICE. Below is one of my little rejected children – Elliot Chicken – and two projects left in purgatory.

Check it out

Low Res Photos of Lutefisk Sushi Volume C Jam Pages

Although, we haven’t scanned them yet (along with over a year of backlogged monthly Minneapolis jams that will hopefully be posted soon), low-res photos of our jam from Lutefisk Sushi Volume C’s Art-A-Whirl event the other weekend can be seen here. The themes are Art-A-Whirl, bad traffic, zombies and mimes. Thanks to all who showed up and participated in the jam!

Dannovision Tonight (May 23rd)

If you turn on a teevee device tonight, you may see Danno! Here is what he says about it:

A week ago an old roommate of mine filmed me at AE jabber-jawing about local comics, the Conspiracy, Lutefisk Sushi, and Altered Esthetics itself.

That interview is part of a new CHEAPO sponsored show on the CW23 Friday nights that focuses local music and art and stuff.

Well I just found out thru the miracle of technology, an interview a week ago is a aired segment TONIGHT (Friday).

So if you wanna see me blabber on and on about the same 4 topics over and over, the show airs at 10pm and Midnight on channel 23(the CW–or whatever channel that is on cable/satellite/neuro-transmitters).

City Pages Comix Issue #2: Call for Entries

Wanna be in City Pages’ upcoming Comix Issue?


Editor-in-Chief Kevin Hoffman describes it like this:

“Each contributor will be asked to interpret that theme by predicting what it will be like when the Republican National Convention comes in to town in September.”

For all the submission info, DOWNLOAD THIS PDF.

Entries are due JUNE 25, so get crackin’!

Orphan Works Bill information from the Graphic Artist Guild

Thanks to artist Colleen Doran we have some more information. I think this sums up both some pros and cons of the bill. The idea of having a bill to deal with Orphan Works is not the issue as much as some of the other items that accompany the bill. This is from the folks at the Graphic Artist Guild who are focused on protecting the work of professional artist. BOLDING BY ME.

——–Press release, in its entirety.———————————————–
Graphic Artists Guild Opposes Senate Orphan Works Bill

NEW YORK – The Graphic Artists Guild’s Board of Directors voted unanimously Friday to oppose the Senate’s passage of the Shawn Bentley Orphan Works Act of 2008 that significantly alters copyright protection rights. The Guild says the bill approved by the Senate Judiciary Committee is incomplete legislation, insufficient protection and indifferent to American workers.

The Guild has been advising members of Congress about the “orphan works” issue since 2006 and participated in discussions with the Copyright Office since 2005. The Guild withheld comment about the Senate bill until work was finalized. That position changed when the completed version was announced only hours before the Senate committee vote last Thursday.

“This is a disappointment,” Guild President John P. Schmelzer said, “We’re encouraging creative people from all industries to contact their senators to express their disapproval before the full Senate vote later this year.”

Orphan works legislation is intended to limit monetary rewards and injunctive relief to stop further infringement of copyrighted works for which the user has been unable to determine the identity of the copyright owner. The Guild and the artist community are concerned that the manner in which the limitations are imposed could produce an incentive for theft in the highly competitive industry that contributes $13 billion a year to the U.S. economy.

Guild leadership was pleased that lawmakers agreed with their recommendation to exclude artwork used on “useful items” such as textiles or wallpaper from being subject to the bill, but they say the measure otherwise has a long way to go before sufficiently protecting copyright owners.

The bill is incomplete because three key provisions the Guild sought to protect artists were left out. At the center of the controversy are the “best practices,” “database certification” and “notice of use” clauses.

When artwork is being considered for use but the artist’s identity is unknown, the bill’s provisions state the user is to attempt to locate the artist by following the best practices outlined by the Register of Copyrights. These practices have not yet been drafted however, and the bill will go into effect prior to their adoption.

The bill also references a database that’s supposed to make the search for copyright owners possible, but no such database exists for graphic, pictorial or sculptural work. There are no plans for the Copyright Office to create this database, and Congress cannot mandate one be made by a private company. In this case, no matter what best practices the Copyright Register might determine are appropriate for finding a copyright owner, the capacity to do so is not possible at this time.

The Guild proposed a further compromise that the legislation include a publicly accessible “notice of use” filing statement. This provision requires an individual or organization to submit a copy of the visual work believed to be orphaned to the Copyright Office prior to using it.

The Copyright Office would then post the filed information on the Internet so copyright owners could review the website and self-identify themselves as the owner. The virtual “lost and found” department would additionally ensure bad actors could not falsely assert they fulfilled the diligent search requirement of the law prior to using copyrighted work.

The Guild says copyright law was established to protect the creative community that made America the inventive capital of the world. The bill in its current state does too much to protect the interests of possible infringers and reduces protection for creators. The measure is indifferent to artists because it fails to take into consideration the long-term effect to the income potential for a workforce whose yearly median income is only $39,900 according to the Bureau of Labor Statistics. People who use artistic works, such as advertising and promotion managers, make a median average of $73,060 per year.

Guild Administrative Director Patricia McKiernan says the group will remain engaged to resolve these high priority shortcomings of the legislation.

“Copyright protection is an important issue for our membership and the economy they serve,” McKiernan said. “When anyone’s economic rights are reduced, it has enormous implications for the country as a whole. We will remain steadfast for the artist’s interests and this important industry.”

Write to the US Senate about the Orphan Works Act now!
Take Action!

Urge the Senate to protect creators’ rights on S. 2913

“The Shawn Bentley Orphan Works Act of 2008″ S. 2913 has passed the Senate Judiciary Committee, and has now moved to the full Senate for a vote. We were unable to achieve significant changes to the bill to better protect the rights of visual creators and rights holders.

Now is the time to write to Senators. The bill may still be amended while under debate of the full Senate. Write to Senators and urge them to amend the bill, and ask them to vote against the bill if it is NOT amended.

Click on this link for a sample letter to use. You may also personalize your own letter. The letter will automatically be emailed to the US Senate. We recommend you also print out the letter and mail it.

Thank you for taking action!